Magnolia Park

MAGNOLIA PARK have never been ones to settle for subtlety. Since forming in 2018, the Orlando, Florida-based quintet have, over and over again, proven themselves to be one of the most exciting and forward-thinking groups in the underground, spinning a chameleonic, genre-spanning sound that incorporates punk, rock, pop, hip-hop and metalcore into a dizzying, multisensory experience.

Blazing onto the scene with an insatiable social media work ethic and prolific musical output, their popular Halloween mixtapes, multi-part Eater EP series and full-length debut, Baku’s Revenge, cemented them not only as a playlist and For You Page favorite for millions of listeners around the world, but a must-see live act on tour with Simple Plan, Sum 41, A Day To Remember and the inaugural Summer School tour (where they served as a headliner), as well as major festivals like Reading and Leeds, When We Were Young, Sonic Temple and Welcome To Rockville.

Now, Magnolia Park – vocalist Joshua Roberts, guitarists Tristan Torres and Freddie Criales, drummer Joe Horsham and bassist Vincent Ernst – are set to unleash their most ambitious effort yet: VAMP (Epitaph Records), a neo-gothic concept album rich in world-building and gripping storytelling. Culling influence from the band’s favorite anime including the long-running Vampire Hunter D, along with inspiration from iconic works like Star Wars, Dracula and Joseph Cambell’s legendary monomyth, Vamp unravels an ominous journey through Nocturne Nexus, where rulers and rebels battle with the future hanging in the balance.

The project’s roots took place in Australia, where, after performing triumphant sets to thousands at the 2023 Good Things Festival, the band was more encouraged than ever to chase a bold, new, musical direction: one that found them tapping into the heavier influences they’d begun dabbling in on Halloween Mixtape II, adding a ferocious bite to their trademark pop-punk-meets-hip-hop sound.

“Seeing the crowd react to our heavier songs was really eye-opening for us,” says Torres, referencing “Animal,” featuring Ethan Ross and PLVTINUM, and the 20 million-streamer “Do Or Die,” songs that showcase the true versatility of the group. “That reaction inspired us to continue exploring that side of our sound, which informed how we started building out the world of Vamp.”

Leaning into these more morose, minor-key impulses, the band began crafting their next chapter. Songs like “SHALLOW” and “SHADOW TALK,” some of the first the band penned for the follow-up to Halloween Mixtape II, set the tone, with repeated references to darkness, shadows, and monsters – leading them to think bigger about what the set of songs could become. Before long, they were entrenched in building out the album’s details, crafting characters, settings, and storylines that added new layers of complexity and creativity to their already captivating sound.

Vamp follows Aurora X1, a half-cyborg/half-human heroine thrust into turmoil when the Shadow Cult, led by her estranged father, Obsidian, launches a plan to merge the Shadow Realm with the physical world. Following ancient legends, occult mysticism and the destruction left by the Shadow Cult, Aurora and her army of Shadow Breakers search for the Bloodstone, a powerful gem that grants them superhuman speed and strength – but not without its own cost.

Across the album’s 11 tracks – produced by the band’s own producers, Torres, Criales and Ernst, alongside Andrew Wade (A Day To Remember, Wage War), Hiram Hernandez (blessthefall, Real Friends) and Andy Karpovck (408, Taylor Acorn) and mixed by Zakk Cervini (Bad Omens, Bring Me The Horizon) – Magnolia Park soundtrack this dramatic tale of crimson blood and chrome-plated courage through their own mix of man and machine, stacking whirring electronics and industrial undertones alongside sledgehammer breakdowns, walls of detuned guitars and Roberts’ seam-splitting vocals.

The anthemic nü-metal rage, replete with sky-high melodies, is front and center on tracks like pre-release singles “WORSHIP” (ft. PLVTINUM and Vana) and “CULT,” which see both Aurora and Obsidian readying their followers for the epic battle ahead. Elsewhere, “CRAVE” finds Aurora’s followers, the Vampires, fighting a war within, battling their thirst for blood while attempting to sidestep a horrific act that might doom them forever.

But despite the intricately detailed, jet-black motif of Vamp – not just the music itself, but the accompanying photos, videos, artwork, merchandise and, as fans will soon see on tour, production at the band’s already raved-about live show – at its heart, the album is deeply personal. The songs stand as a unified, cohesive body of work, complete with a cliffhanger that sets up even more epic events in the future of Aurora X1 and the Shadow Realm. But divorced from the larger narrative, they also represent the push and pull of personal life. So while a song like the mournful “OPHELIA” stands as a reminder of the cost of war, and “THE SCREAMS” details Obsidian’s power to infiltrate the minds of his enemies, they’re born from very real places in the band’s personal lives: love and loss, the internal strength required to tune out the forces looking to shake us from our dreams.

It’s this ability to blur the lines – between genres, yes, but even between how their songs can resonate with audiences – that’s made Magnolia Park such an exciting band to watch. There are few acts in the scene who could effortlessly alternate between covering a beloved Disney track (“I2I,” which the band lent to the 2024 A Whole New Sound compilation) and conceptualizing a heady, intricate work like Vamp, but that unpredictability is truly what keeps fans – and Magnolia Park themselves – on their toes.

“The most exciting thing about this band is how everyone elevates everyone else,” Roberts says. “I'm just so glad that we're all able to do that and come out with great music and great vibes and feel like we’ve accomplished something special. That's the whole mission: to make sure that at the end of the journey, we're better than we were in the beginning.” ##