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5.22.2026Boise, IDShrine Social Club
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5.22.2026Brasília, BrazilPorão do Rock 2026
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5.22.2026Worcester, MAPalladium
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5.22.2026Detroit, MIThe Majestic Theatre
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5.22.2026Los Angeles, CAThe Regent Theater
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guccihighwaters
guccihighwaters’ third album for Epitaph, DEATH BY DESIRE is his boldest and most adventurous record to date—a result of the project’s mastermind Morgan Murphy taking the creative wheel and hitting the gas at 100 MPH, putting every element of his musical acumen into these 12 songs. After releasing joke’s on you in 2021—as well as the extensive touring that followed—Murphy felt creatively unsure of where to go next. ”I was in a standstill,” he explains. “I was putting out a lot of singles and doing sessions with producers and songwriters, and I wasn’t connecting with what I was making.” Instead of throwing in the towel, Murphy got to work on writing and self-producing the luxurious alternative pop sound that would become DEATH BY DESIRE. “I locked myself in the studio every day and really just focused on reinventing myself,” he recalls. “I was making something that was untouched by anyone else. I knew it was gonna be a hard task, but it was also the only way for me to feel like I accomplished something that I love.”
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Joyce Manor
Joyce Manor are California pop-punk legends and I Used To Go To This Bar is this epochal band operating at the top of their game. They continue to deliver relentlessly satisfying rock music in a manner that makes it look simply effortless. The Torrance, California-hailing trio of Barry Johnson, Chase Knobbe, and Matt Ebert are at a point in their career where their position as one of the most beloved rock bands is a foregone conclusion. Their seventh album, produced by Brett Gurewitz (of Bad Religion and Epitaph Records CEO) finds the group continuing to find rich new veins to tap in their short-and-sweet songcraft without losing an ounce of bite that gained them such repute in the first place. A bustle of activity that followed the release of 2022’s excellent 40 Oz. to Fresno and included an instantly memorable appearance on John Mulaney’s Everybody’s in L.A. and a retrospective assessment of the group’s seminal 2011 self-titled debut as part of Pitchfork’s esteemed Sunday Review series. The band’s had a whirlwind touring schedule over the last few years, which has included an outing with Weezer and multiple sold-out shows at the legendary California venues Hollywood Palladium (including a guest performance by Mark Hoppus for the fan favorite “Heart Tattoo”) and Long Beach Arena. This new record retains the band’s penchant for punchy hooks while sounding fuller, more in-your-face, and all-around bigger than ever, with an all-star crew of collaborators along for this wild ride. Along with mixing pro Tony Hoffer (M83, Beck), behind-the-boards legend Tom Lord-Alge lent his Enema of the State engineer magic to several I Used To Go To This Bar cuts, including the first single “All My Friends Are So Depressed.” The album also features a rotating cast of drummers, including touring drummer Jared Shavelson, Social Distortion’s David Hildago, Jr., and Joey Waronker—the latter of whom is currently hitting the skins for Oasis’ reunion tour.