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8.14.2026Graz, AustriaFreiluftarena B
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8.14.2026Lynchburg, VASuper Rad Arcade Bar
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8.14.2026Fresno Crossing, CAStrummer's
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8.14.2026Baltimore, MDJasiah + Nascar Aloe - Capital Punishment Tour
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8.14.2026Sedalia, MOMissouri State Fair Campground
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Architects
British metalcore giants Architects announce their awaited new studio album, ‘The Sky, The Earth & All Between.' This will be the band's 11th studio album, with “Whiplash” delivering an intense fusion of power and stadium-swaying melody, offering a tantalizing preview of what’s to come from ‘The Sky, The Earth & All Between’ in the New Year. The band revealed the first single from the album, “Seeing Red” last December and second single, “Curse” in April this year. Both songs collectively amassed over 70 million streams to date. Since their last studio album in 2022, the critically acclaimed ‘the classic symptoms of a broken spirit’, the band have continued their stratospheric rise, establishing themselves as one of the most important rock bands to emerge from the UK. They have spent the last 12 months touring extensively, most notably as one of the personally chosen support acts on the Metallica tour as well as appearances at Louder Than Life, AfterShock, Mayhem, Download and a headline slot at Bloodstock Festival. They have also just announced a handful of dates in support of Linkin Park next Summer.
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La Dispute
It’s been six years since La Dispute released their last album, Panorama. Since then, the Michigan post-hardcore band—made up of Jordan Dreyer on vocals, Brad Vander Lugt on drums, Chad Morgan-Sterenberg and Corey Stroffolino on guitar, and Adam Vass on bass—dealt with the stagnance of the pandemic, celebrated the ten-year anniversaries of Wildlife and Rooms Of The House, and began working on No One Was Driving The Car. The fifth studio LP is the first entirely produced by the group, and it came together in Grand Rapids and Detroit, the United Kingdom, Australia, and the Philippines: “I think the change in environment was really helpful to breathing new life into the process each time we came back to it,” Dreyer says. Partly inspired by the 2017 psychological thriller First Reformed, No One Was Driving The Car reckons with malaise in the shadow of the looming apocalypse, which has noticeably been worsened by the advancement of tech. The title comes from a quote from a police officer Dreyer read in a news article about a lethal self-driving Tesla crash, an absurd event which raises questions about the amount of control we have in our own lives. In fourteen dynamic tracks, the band grapples with the existential topic and the human need to find comfort and a sense of security in an existence where we’re often thrust into chaos without permission. Dreyer yells with a more primal sense and sings in a more refined way, and the guitars have a sharper edge than ever before. “As much as I don’t enjoy the creative process because it’s taxing and often not fun, I also think it’s the most fun that I ever have,” Dreyer contemplates. “It’s the revelations you make, the breakthroughs. It’s banging your head against a wall and suddenly something clicks in a way that feels almost divine, like it came from somewhere else.”