Anyone who’s seen Drain live has felt it. The electricity coming off of the stage. The communal energy of the fans singing upfront. The primal thrills of fists flying in the moshpit. The uninhibited joy emanating from every banging head, screaming lung, and airborne foot in that room. There’s nothing like a Drain show. There’s no other hardcore band like Drain. The Santa Cruz band is an institution in their genre and an affable neighbor to their adjacent ones. Punks love Drain. Metalheads love Drain. Haters can’t help but love Drain. Drain is for everyone. Well, venue security guards might not love Drain. But to everyone else: Drain…Is Your Friend. Drain -- frontman Sammy Ciaramitaro, guitarist Cody Chavez, and drummer Tim Flegal -- formed back in 2014 and cut their teeth in Santa Cruz’s fertile DIY hardcore scene. COVID lockdown couldn’t stop their 2020 debut, California Cursed, from making waves, and their 2023 follow-up, Living Proof, hit the hardcore scene like a Cali beach during hurricane season -- a torrential classic. Since then, Drain have blazed through hundreds of shows worldwide: headlining festivals, taking their friends and heroes on tour, and even playing arenas with Blink-182. Regardless of whether they're opening for pop-punk jukeboxes like Neck Deep or grabbing the stage-dive torch from Terror, Drain’s only goal is to make the crowd go buckwild.
If Jakobs Castle were a physical place, it would exist somewhere in the present that’s also rooted in history—and that’s exactly how Jakob Nowell approached the 14 songs that make up Enter: The Castle. As the son of Sublime’s legendary frontman Bradley Nowell, there is no denying that Jakob is influenced by his father’s music and legacy. However Jakobs Castle is anything but a nostalgic rehash. Instead these songs are remarkably cutting-edge while still retaining the keen sense of melody that endeared his father’s music to millions of people all over the world. Nowell has described the project as “mixing California’s past with the fresh mystery of internet underground culture” and that’s a good place to start. But it’s only the tip of the proverbial iceberg when it comes to the sonic and emotional depth of this varied collection of songs.