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2.6.2026Sayreville, NJStarland Ballroom
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2.6.2026Fargo, NDFargodome
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2.6.2026Fargo, NDFargodome
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Joyce Manor
Joyce Manor are California pop-punk legends and I Used To Go To This Bar is this epochal band operating at the top of their game. They continue to deliver relentlessly satisfying rock music in a manner that makes it look simply effortless. The Torrance, California-hailing trio of Barry Johnson, Chase Knobbe, and Matt Ebert are at a point in their career where their position as one of the most beloved rock bands is a foregone conclusion. Their seventh album, produced by Brett Gurewitz (of Bad Religion and Epitaph Records CEO) finds the group continuing to find rich new veins to tap in their short-and-sweet songcraft without losing an ounce of bite that gained them such repute in the first place. A bustle of activity that followed the release of 2022’s excellent 40 Oz. to Fresno and included an instantly memorable appearance on John Mulaney’s Everybody’s in L.A. and a retrospective assessment of the group’s seminal 2011 self-titled debut as part of Pitchfork’s esteemed Sunday Review series. The band’s had a whirlwind touring schedule over the last few years, which has included an outing with Weezer and multiple sold-out shows at the legendary California venues Hollywood Palladium (including a guest performance by Mark Hoppus for the fan favorite “Heart Tattoo”) and Long Beach Arena. This new record retains the band’s penchant for punchy hooks while sounding fuller, more in-your-face, and all-around bigger than ever, with an all-star crew of collaborators along for this wild ride. Along with mixing pro Tony Hoffer (M83, Beck), behind-the-boards legend Tom Lord-Alge lent his Enema of the State engineer magic to several I Used To Go To This Bar cuts, including the first single “All My Friends Are So Depressed.” The album also features a rotating cast of drummers, including touring drummer Jared Shavelson, Social Distortion’s David Hildago, Jr., and Joey Waronker—the latter of whom is currently hitting the skins for Oasis’ reunion tour.
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Roe Kapara
“I had no intention to ever write any sort of anti-establishment songs,” admits Roe Kapara, the incisive songwriter hailing from Los Angeles by way of St. Louis. “I think it’s just the shock of living right now.” With half a million monthly Spotify listeners sharing his sense of hopelessness about the world they've inherited, Kapara translates the frustrations of coming of age in modern America into five sharp-witted songs on his EP Big Cigars and Satin Shorts. In this second release under Epitaph Records, Kapara marries a radical punk ethos with electrifying indie-rock spirit, offering a poignant reflection of how an entire generation of desensitized, bleeding-heart young people are feeling.