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8.6.2026Kortrijk, BelgiumAlcatraz Festival 2026
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Grade 2
Isle Of Wight punks Grade 2 wrestle with a whirlwind coming-of-age on rollercoaster fourth album Talk About it… Grief. Growth. Grafting every step of the way. Twelve years since they first cranked amps as schoolkids rattling their music room out on the Isle of Wight, Grade 2 have plenty to talk about. From seeing dreams dangling precariously during COVID to blasting back with 2023’s self-titled third LP, frontman Sid Ryan, guitarist Jack Chatfield and drummer Jacob Hull looked to have claimed their place on top of the world. But storming festivals like Rock am Ring and rubbing shoulders with heroes like Rancid and Guns N’ Roses was only half the story. Offstage, the trio were dealing with the quiet dissonance of island life back at their parents’ places, finding time for romantic relationships and plotting the path for-ward through a world increasingly going to shit. Rollercoaster fourth album Talk About It is a chronicle of every tribulation and triumph. “The title-track was initially called Communication, a song about how men don’t talk about the things that really matter to them,” explains Sid. “But it became Talk About It, which sums up the whole album, touching on every emotion that you feel while being in a band, from love to loss to personal turmoil to ambition. It’s a coming-of-age story about Grade 2 entering adulthood...” From dealing with a dog-eat-dog music industry on Cut Throat and learning to live life at 100mph with Crash And Burn to confronting political toxicity on Rotten, paying tribute to their waterlocked home with Smugglers Haven and processing the pain of loss heartfelt closer Otherside, it’s a wild ride. And a compelling first step on the next chapter from one of modern punk’s brightest lights. “This is everything we’ve been through,” Sid smiles, bittersweetly, “but we’re still here!”
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Mamalarky
In making their third record, Hex Key, Mamalarky spent entire seasons hunched over guitars and obscure synthesizers, their long hair sweeping over strings or covering concentrated eyes. The band recorded takes in between the sounds of passing ice cream trucks and yowling stray cats in their LA home studio, a tight but prolific living room. Hex Key is a document of perseverance, of going for the gold while somehow remaining totally aware of one’s own vulnerabilities. These effervescent, swirling songs chronicle vivid desires crashing against real-life limitations but finding a way to keep burning anyway. That tension between anguish and resilience, between performed aloofness and brutal honesty, drives the music, imbues it with a compelling intensity. Over the last 8 years, the quartet’s members have lived in Austin, Atlanta, and Los Angeles, and have established a bond that they acknowledge is rare. “We have an unmatched level of trust in each other,” drummer Dylan Hill says. “There is no air of professionalism. It's literally just four friends hanging out and getting to the bottom of something.” Given their closeness, Mamalarky are able to fight like family, not necessarily with each other, but for the music, to make it the best it can be. Whereas their last album, Pocket Fantasy, was exploratory and free-flowing, the songs on Hex Key are the result of absolute devotion and fine tuning. It’s the kind of attention to detail that can only happen when the four bandmates are working alone together, uninterrupted by producers, engineers, or any outside influences. “It’s never ‘kick your feet up, let’s see what happens,” guitarist and singer Livvy Bennett says. “We’re always staring each other deeply in the eyes saying ‘Let’s make this next take incredible.’ We never settle.” The band is so committed to their craft that Hill even recorded the drums for “#1 Best of All Time” amidst an intense bout of poison ivy. The determination he felt in the moment manifested itself in the song’s frantic-but-focused percussion, he says.