There’s a phrase you’ll hear repeatedly when in the company of Split Chain: “The Chain does what it wants”. As mantras go, it’s used by the Bristol, UK quintet as a means of encapsulating the broad-minded, unconstrained creative freedom with which they approach their art, as well as a means through which to try to make sense of the sky-rocketing trajectory the band have found themselves on. Call it instinct, fate, divine intervention, whatever – the whims of ‘The Chain’ have led to a moment where one thing is abundantly clear: Split Chain are one of the hottest, zeitgeist-capturing new bands in the world. “Split Chain is something that none of us feel like we have any control of,” says frontman Bert Martinez-Cowles. “Split Chain simply does what it wants and what it needs.” It is at this juncture in Split Chain’s journey that debut album motionblur arrives. Described by Bert as “a coming of age story”, the album channels the conflicting and contradictory angst, excitement, joy and pain of growing up and discovering your true sense of self. motionblur presents a story that speaks to both Split Chain’s members’ personal experiences and those shared together in the past few dizzying years; a visceral, kaleidoscopic wall of sound where unsettling, disorientating confusion meets a fevered adrenaline-rush. motionblur is an album to experience, to feel, to engulf; it’s the blissful sense of euphoria that comes with drowning in its waves. There are shades of the quintet’s beloved Deftones, Superheaven, Narrowhead; bursts of nu-metal, and ripples of shoegaze. An emo melancholy hangs heavy. Grunge swerves in and out of view. Metal crackles under the surface. Its beauty lies in its skillfully crafted coalescence, no mean feat for an album so richly varied yet singularly focused. motionblur is at once a nostalgic homage to its 90s and early 00s cultural reference points while never once sounding anything less than thrillingly vibrant, a captivating depiction of rock’s burgeoning present and future.
Isle Of Wight punks Grade 2 wrestle with a whirlwind coming-of-age on rollercoaster fourth album Talk About it… Grief. Growth. Grafting every step of the way. Twelve years since they first cranked amps as schoolkids rattling their music room out on the Isle of Wight, Grade 2 have plenty to talk about. From seeing dreams dangling precariously during COVID to blasting back with 2023’s self-titled third LP, frontman Sid Ryan, guitarist Jack Chatfield and drummer Jacob Hull looked to have claimed their place on top of the world. But storming festivals like Rock am Ring and rubbing shoulders with heroes like Rancid and Guns N’ Roses was only half the story. Offstage, the trio were dealing with the quiet dissonance of island life back at their parents’ places, finding time for romantic relationships and plotting the path for-ward through a world increasingly going to shit. Rollercoaster fourth album Talk About It is a chronicle of every tribulation and triumph. “The title-track was initially called Communication, a song about how men don’t talk about the things that really matter to them,” explains Sid. “But it became Talk About It, which sums up the whole album, touching on every emotion that you feel while being in a band, from love to loss to personal turmoil to ambition. It’s a coming-of-age story about Grade 2 entering adulthood...” From dealing with a dog-eat-dog music industry on Cut Throat and learning to live life at 100mph with Crash And Burn to confronting political toxicity on Rotten, paying tribute to their waterlocked home with Smugglers Haven and processing the pain of loss heartfelt closer Otherside, it’s a wild ride. And a compelling first step on the next chapter from one of modern punk’s brightest lights. “This is everything we’ve been through,” Sid smiles, bittersweetly, “but we’re still here!”