MAGNOLIA PARK have never been ones to settle for subtlety. Since forming in 2018, the Orlando, Florida-based quintet have, over and over again, proven themselves to be one of the most exciting and forward-thinking groups in the underground, spinning a chameleonic, genre-spanning sound that incorporates punk, rock, pop, hip-hop and metalcore into a dizzying, multisensory experience. Blazing onto the scene with an insatiable social media work ethic and prolific musical output, their popular Halloween mixtapes, multi-part Eater EP series and full-length debut, Baku’s Revenge, cemented them not only as a playlist and For You Page favorite for millions of listeners around the world, but a must-see live act on tour with Simple Plan, Sum 41, A Day To Remember and the inaugural Summer School tour (where they served as a headliner), as well as major festivals like Reading and Leeds, When We Were Young, Sonic Temple and Welcome To Rockville. Now, Magnolia Park – vocalist Joshua Roberts, guitarists Tristan Torres and Freddie Criales, drummer Joe Horsham and bassist Vincent Ernst – are set to unleash their most ambitious effort yet: VAMP (Epitaph Records), a neo-gothic concept album rich in world-building and gripping storytelling. Culling influence from the band’s favorite anime including the long-running Vampire Hunter D, along with inspiration from iconic works like Star Wars, Dracula and Joseph Cambell’s legendary monomyth, Vamp unravels an ominous journey through Nocturne Nexus, where rulers and rebels battle with the future hanging in the balance.
guccihighwaters’ third album for Epitaph, DEATH BY DESIRE is his boldest and most adventurous record to date—a result of the project’s mastermind Morgan Murphy taking the creative wheel and hitting the gas at 100 MPH, putting every element of his musical acumen into these 12 songs. After releasing joke’s on you in 2021—as well as the extensive touring that followed—Murphy felt creatively unsure of where to go next. ”I was in a standstill,” he explains. “I was putting out a lot of singles and doing sessions with producers and songwriters, and I wasn’t connecting with what I was making.” Instead of throwing in the towel, Murphy got to work on writing and self-producing the luxurious alternative pop sound that would become DEATH BY DESIRE. “I locked myself in the studio every day and really just focused on reinventing myself,” he recalls. “I was making something that was untouched by anyone else. I knew it was gonna be a hard task, but it was also the only way for me to feel like I accomplished something that I love.”