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7.22.2026Sandy, UTSandy Amphitheater
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7.22.2026Vadstena, SwedenVadstena Klosterhotel Slottsflygeln
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7.22.2026New Haven, CTSocial Distortion - Born to Kill
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7.22.2026Houston, TXScout Bar
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7.23.2026Patchogue, NYGreat South Bay Music Festival 2026
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Rancid
Emerging from the blue-collar swamps of Berkley, California, Rancid has now been a living, breathing punk rock band for over a quarter century. Apparently, nothing can kill them. Back in 1991, after the demise of their much beloved and still influential first band, Operation Ivy, founding members Tim Armstrong (vocals, guitar) and Matt Freeman (bass, vocals) decided to do the impossible -- start an even better band. Thus, Rancid. Signing with Epitaph Records, the band released their first album, “Rancid,” in 1993. Shortly thereafter, Lars Frederiksen (vocals, guitar) joined the band, because... well, are you going to tell him he can’t? The result, in 1994, was “Let’s Go.” People noticed. In 1995, Rancid released the classic platinum-selling “...And Out Come The Wolves.” You still remember when you first heard it. They followed with the even more ambitious “Life Won’t Wait” in 1998, and in 2000, Rancid released another album entitled “Rancid,” just to see if anyone was paying attention. After “Indestructible” in 2003, Branden Steineckert (drums) joined to solidify Rancid’s current line-up. They subsequently released the albums “Let The Dominos Fall” (2009), “Honor Is All We Know” (2014), and “Trouble Maker” (2017). Through it all, Rancid has remained fiercely independent, never losing their loyalty to community or each other. Their music confronts political and social issues, while balancing personal tales of love, loss, and heartbreak with attitude. Rancid gives their listeners a community where everyone can belong. By carrying on the traditions and spirit of the original punk rock bands that came before, Rancid has become a legend an inspiration to punk bands that have come after. They are the living embodiment of East Bay punk. And if you don’t know all this by now -- you’re not playing their music loud enough! See ya in the pit.
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Mamalarky
In making their third record, Hex Key, Mamalarky spent entire seasons hunched over guitars and obscure synthesizers, their long hair sweeping over strings or covering concentrated eyes. The band recorded takes in between the sounds of passing ice cream trucks and yowling stray cats in their LA home studio, a tight but prolific living room. Hex Key is a document of perseverance, of going for the gold while somehow remaining totally aware of one’s own vulnerabilities. These effervescent, swirling songs chronicle vivid desires crashing against real-life limitations but finding a way to keep burning anyway. That tension between anguish and resilience, between performed aloofness and brutal honesty, drives the music, imbues it with a compelling intensity. Over the last 8 years, the quartet’s members have lived in Austin, Atlanta, and Los Angeles, and have established a bond that they acknowledge is rare. “We have an unmatched level of trust in each other,” drummer Dylan Hill says. “There is no air of professionalism. It's literally just four friends hanging out and getting to the bottom of something.” Given their closeness, Mamalarky are able to fight like family, not necessarily with each other, but for the music, to make it the best it can be. Whereas their last album, Pocket Fantasy, was exploratory and free-flowing, the songs on Hex Key are the result of absolute devotion and fine tuning. It’s the kind of attention to detail that can only happen when the four bandmates are working alone together, uninterrupted by producers, engineers, or any outside influences. “It’s never ‘kick your feet up, let’s see what happens,” guitarist and singer Livvy Bennett says. “We’re always staring each other deeply in the eyes saying ‘Let’s make this next take incredible.’ We never settle.” The band is so committed to their craft that Hill even recorded the drums for “#1 Best of All Time” amidst an intense bout of poison ivy. The determination he felt in the moment manifested itself in the song’s frantic-but-focused percussion, he says.