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See AllSplit Chain Announce Debut Album ‘motionblur’ Out July 11th Via Epitaph New Single “bored. tired. torn." Out Today
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Rancid
Emerging from the blue-collar swamps of Berkley, California, Rancid has now been a living, breathing punk rock band for over a quarter century. Apparently, nothing can kill them. Back in 1991, after the demise of their much beloved and still influential first band, Operation Ivy, founding members Tim Armstrong (vocals, guitar) and Matt Freeman (bass, vocals) decided to do the impossible -- start an even better band. Thus, Rancid. Signing with Epitaph Records, the band released their first album, “Rancid,” in 1993. Shortly thereafter, Lars Frederiksen (vocals, guitar) joined the band, because... well, are you going to tell him he can’t? The result, in 1994, was “Let’s Go.” People noticed. In 1995, Rancid released the classic platinum-selling “...And Out Come The Wolves.” You still remember when you first heard it. They followed with the even more ambitious “Life Won’t Wait” in 1998, and in 2000, Rancid released another album entitled “Rancid,” just to see if anyone was paying attention. After “Indestructible” in 2003, Branden Steineckert (drums) joined to solidify Rancid’s current line-up. They subsequently released the albums “Let The Dominos Fall” (2009), “Honor Is All We Know” (2014), and “Trouble Maker” (2017). Through it all, Rancid has remained fiercely independent, never losing their loyalty to community or each other. Their music confronts political and social issues, while balancing personal tales of love, loss, and heartbreak with attitude. Rancid gives their listeners a community where everyone can belong. By carrying on the traditions and spirit of the original punk rock bands that came before, Rancid has become a legend an inspiration to punk bands that have come after. They are the living embodiment of East Bay punk. And if you don’t know all this by now -- you’re not playing their music loud enough! See ya in the pit.
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Soul Glo
Late December 2020 found Soul Glo holed away in an unfinished warehouse, beginning to find drum tones for their upcoming full length, Diaspora Problems. They had just begun to accept that they would be in talks with Epitaph Records, and that it was likely they were going to go with the label as they hadn’t even begun to reach a place where they could consider shopping it to other record labels. Working with Epitaph was far and away the best case scenario that the band could’ve hoped for, but they simultaneously wondered if the label had any understanding of what they were getting into.